2025-2026

This course provides an introduction to logic for students of philosophy. It is aimed at students who possess more mathematical training than can be expected of typical philosophy majors, but who wish to study logic not just as a branch of mathematics but as a method for philosophical analysis. (B) (II)

Immigration is quickly becoming one of the defining controversies of our age, and it is increasingly common for states to restrict the movement of people across borders. But should we say that nation states have the right to exclude non-members in the first place? If so, what is the basis of that right? If not, should we say that immigration controls of any kind are at odds with justice? And is there a compelling case for the exclusion of immigrants that depends on a commitment to preserving national culture or managing the demographics of a national population? As we'll see, these questions touch on fundamental issues in political philosophy: the nature of citizenship and its relationship to culture, the source of legitimate authority, the justifiability of state coercion, the content and justification of rights. Readings will be drawn from the contemporary philosophical literature on immigration. (A)

(B) (II)

This course meets in Autumn and Winter quarters.

This course meets in Autumn and Winter quarters.

A careful study of Aristotle’s De Anima in its entirety. (B)

Type theory is a new way of thinking about logic in which proofs are associated with computational verifications. This class will introduce students to the formal and philosophical issues involved in this way of looking at logic. The Curry-Howard correspondence will be examined in both the intuitionistic and classical context, and its significance discussed. Familiarity with the ideas of elementary logic will be presupposed. (B) (II)

Is opera an archaic and exotic pageant for fanciers of overweight canaries, or a relevant art form of great subtlety and complexity that has the power to be revelatory? In this course of eight sessions, jointly taught by Professor Martha Nussbaum and Anthony Freud, General Director of Lyric Opera of Chicago, we explore the multi-disciplinary nature of this elusive and much-maligned art form, with its four hundred-year-old European roots, discussing both historic and philosophical contexts and the practicalities of interpretation and production in a very un-European, twenty-first century city.

Anchoring each session around a different opera, we will be joined by a variety of guest experts, one each week, including a director, a conductor, a designer and two singers, to enable us to explore different perspectives.

The list of operas to be discussed include Monteverdi's The Coronation of Poppaea, Mozart's Don Giovanni, Rossini’s Barber of Seville, Verdi's Don Carlos, Puccini’s Madama Butterfly, Wagner's Die Meistersinger, Britten's Billy Budd, and Jake Heggie’s Dead Man Walking. (A) (I)

Course begins in late Spring quarter and continues in the Autumn quarter.

Course begins in late Spring quarter and continues in the Autumn quarter.