PHIL 24301/34301 Science and Aesthetics in the 18th-21st Centuries
One can distinguish four ways in which science and aesthetics are related during the last two centuries. First, science has been the subject of artistic effort, in painting and photography and in poetry and novels (e.g., in Goethe’s poetry or in H. G. Wells’s Island of Doctor Moreau). Second, science has been used to explain aesthetic effects (e.g., Helmholtz’s work on the way painters achieve visual effects or musicians achieve tonal effects). Third, aesthetic means have been used to convey scientific conceptions (e.g., through illustrations in scientific volumes or through aesthetically affective and effective writing). Finally philosophers have stepped back to consider the relationship between scientific knowing and aesthetic comprehension (e.g., Kant and Bas van Fraassen). In this course, we will consider these four modes of relationship. The first part of the quarter will be devoted to Kant, reading carefully his third critique; then we will turn to Goethe and Helmholtz, both feeling the impact of Kant, and to Wells, a student of T. H. Huxley. We then consider more contemporary modes expressive of the relationship, especially the role of illustrations in science and the work of contemporary philosophers like Fraassen. (B) (I) (II)